Session 8 — India Moon

In-fiction: Fall 2025 — the day of the Zielony party, Boston (the day after the LA anniversary gala). The "birthday" turns out to be a cover for a hiring meeting with Dr. Barbus, who briefs the crew on a missing-persons job: Operation India Moon.


Morning — 7 AM

Gus had staked out Barbus's house alone, all night, while the rest of the crew slept. Come morning he traded off to sleep before the party. The others rotated to the venue.


Staking Out the Restaurant

Before the party, the crew set up on the Gateway Bridges Restaurant itself.

The Client Is Made of Paper and Oil
The broken forensic examiner arrives **lined with paper** (audible when he moves) and **reeking of fuel and machine oil** — the same oil-and-machinery signature the neighbors reported at his house. He is dressed, essentially, in the case's own materials: the newsprint collage that backs the wall message, the clockwork and lift-machinery of the night floors. The man who hires them is himself a half-mechanical thing that rustles.

The "Party" Is a Meeting — Operation India Moon

There was no birthday, no Richard Zielony. The invitation was a summons to a private briefing with Barbus, who retained the crew for a job codenamed INDIA MOON (heard colloquially as "Indian Moon"). Full brief: Operation India Moon.

The brief, as delivered:

They're Being Hired to Recover the Thing Already Inside Them
The one hard rule of India Moon is **do not read the book.** Beckett read The Red Book **last session, on the plane,** and it gave him a name — ***Hastur.*** The crew is being retained, at a 10% premium, to recover the exact object that has already breached one of their own, under a prohibition they have already broken. The client either doesn't know that, or the job is the trap.
"India Moon" Is Not New — the Radio Said It in 2015
**"India Moon"** was transmitted by the WW2 backpack radio in Abigail's apartment back in **Session 5** — *"India Moon Dallas Extra Dominion Seere."* A phrase a dead radio spat out a decade ago, in the missing painter's hoard, is now a **live operation codename** in a Boston restaurant. The Abigail Wright case and Barbus's missing operatives are the **same net**, ten years and one city apart.

The Wall Message

The photo Barbus provided shows a room wall — a newspaper-collage surface with a verse painted over it in dark, dripping strokes (The Marking Time Message):

Abigail Wright has gone to sea cross the waves to rescue me in a ship both tall and fine she rounds the corner marking time

The Missing Are Waiting for Abigail to Rescue Them
One of Barbus's vanished operatives wrote a **rescue prayer to Abigail Wright** — the missing painter is cast as the one *coming across the water to save them.* Abigail is a night-floors traveler who **mapped the impossible space**; an inmate who read the same book now waits for her to "round the corner." **"Marking time"** rhymes with the clockwork/lift machinery (The Clockwork Marionettes, the scissor-lift) — and with a room where the missing person is the *rescuer*, not the rescued. The newspaper backing is the case's recurring **newsprint** motif again (Kips Bay Post Article; the register of banned publications in The World Remade).

The Handout Package

Barbus provided three items with the brief:

The card's email (for@sdhpf.com) led to the facility's live website, which the crew mined (The Dorchester House Website). It reads as a polished PTSD-hospital brochure over a three-floor locked ward whose details are the case's own signatures: a head nurse named for a Goetic demon (Esther Samigina), an Abigail Wright patient testimonial about "a new script for life," buried Latin scripture ("a fearful thing to fall into the hands of the living God"; "where is my bottle?"), staff named David and Vance, gold-accented communal rooms, and a written policy of confiscating occult texts. Full dossier: Dorchester House Psychiatric Facility.

Abigail Was a Patient Here
The facility's own front page carries a testimonial signed **"A.W."** thanking **Nurse Samigina** — *"my mind is quiet and focused now; it's like I have a new script for life."* Abigail Wright, the missing subject of Operation ALICE, **passed through Dorchester House** — the same building now holding Barbus's vanished operatives, the same building whose top floor you cannot leave. The Abigail Wright Case doesn't just *share a codename* with India Moon; it runs **through the same ward.**

The Hotel — The Sat Phone and the Kill Order

Barbus had also handed the crew a satellite phone and a number to call for orders. Back at the hotel, having mined the facility site, they called it — and the voice reframed the job entirely (full clue: The Sat Phone):

"Agent Executor is out of his depth. Dr. Dallan is the target, and is to be eliminated."

Then a rattling in the handset. They took the phone apart and found no electronics whatsoever — only rock, earth, and a vial holding a green leaf and a dung beetle.

The Phone Is the Ritual, and the Job Just Became Murder
The pitch was a quiet **recovery** (Operation India Moon); the sat phone's principal wants **Dallan killed.** And the device is a Hygromanteia triad in a shell — **stones** (rock/earth), an **herb** (the green leaf; "Zielony" = green), and **words** (the voice) — a ritual conduit posing as tech, exactly like the WW2 Backpack Radio that first spoke *"India Moon."* Who **"Agent Executor"** is, and whether Barbus is running this or being run, are open.

The Architect Link, Palmer's Break, and the 3 AM Delivery

Dorchester House is a Daribondi building. Research established that the Dorchester House Psychiatric Facility was designed by the same architect as the McAllistor BuildingAsa Daribondi. If the New York apartment's night floors are his, the Boston ward very likely hides its own — and it puts his impossible architecture outside NYC for the first time.

Palmer crossed a Sanity threshold. Palmer is now having episodes of non-reality. He perceived a mannequin handing him a box — which in reality was a dirty suitcase he picked up off the ground. His perceptions can no longer be taken at face value.

The 3 AM delivery. The crew bedded down; at 3:00 AM, banging on the door. Cory checked the window, saw a figure moving stiffly, followed, and watched it get into a brown delivery truck and drive off. Left behind: a small stamped wooden box — identical to the one that opened the mission — containing an "Access Level 3" card. Then the crew headed for Dorchester House.

Someone Is Building the Crew's Approach
In one night the crew was handed, from the same unseen hand: a **target** (kill Dallan), a **means of entry** (Level 3 access — the facility's **locked observation floor**), and confirmation the ward is **Daribondi-built** (so, dream-architecture). The card came in **the same stamped box** as the Zielony invitation, carried by a **stiff marionette-like courier** in a **brown delivery truck** — the delivery motif that runs from the pine box to the site's own **"Clown Delivery Service" 404.** They are being **walked onto the third floor.**

Dorchester House — The Door Commits Them

At the facility, Palmer tried to climb a tree outside, fell, and took 5 damage; a doctor (Dallan, or facility staff) healed him for 2 (net −3).

They tried the front door — and the keycard let them in. They stepped through.

The world faded to black.

They woke each alone in a bare room, on a frameless bed, their clothes and belongings gone, dressed in blue pajamas. And they woke up as their actors — not as Palmer, Vance, Kip, Mordant, and Gus, but as Carlton, Cory, Daniel, Beckett, and Wade.

The Ward Admitted the Actors
The crew entered as their **on-screen characters** and woke as their **off-screen selves** — stripped, uniformed, isolated, **committed.** The seam didn't bleed this time; it **inverted and locked.** Blue pajamas, frameless beds, and confiscated belongings match the facility's own intake rules exactly — they are now **patients on the inside** of the ward they were hired to infiltrate. The Level 3 card didn't get them *onto* the locked floor; it got them **filed as its occupants.** Whoever walked them here wanted the **actors** in these rooms.

The Interview — "You've Always Been Here"

Carlton was taken to speak with Dr. Friendly and reported he was "having an episode." The doctor answered with a full inversion of the crew's reality:

The Ten-Year Gap, Re-Read as a Sentence
The crew's own central mystery is the **ten-year jump** (The World Remade, the anniversary). Dr. Friendly takes that exact gap and re-reads it: not a show that ran a decade, but **a decade of confinement.** And he's doing it to **Carlton** — the one member already broken enough to believe it. Which account is real is now the live question of the scenario: **famous crew, wrongly committed** — or **mental patients who dreamed the crew.**

The Ward Closes In

The Line Is Drawn After the Museum
Dr. Friendly now dates the crew's "real" life to end **right after the museum episode** — meaning Horselover, Abigail, the night floors, the **ten-year jump**, and all of Boston are, by his account, **a shared delusion.** But the museum was **already a supernatural site** (a vanishing, bloodless blood, a statue) — so his "last real thing" is itself unreal. And the ward answers escape with **fists, then sleep**: Mr. Ed beats you down, the doctor talks you down, and the instruction is always **go back to sleep** — the case's oldest verb (Michelle Vanatz's unwakeable sleep, The Sleeping Man's Library, dreams as books).

Open Threads Going Forward

Session End

(In progress — briefing concluded at the Gateway Bridges Restaurant; the crew has taken (or is weighing) the India Moon contract.)